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"Plays, Acting, and Music: A Book of Theory" by Arthur Symons delves into the heart of performance and dramatic arts. This collection of essays offers insightful drama criticism alongside considerations of acting theory and music theory, providing a comprehensive look at the landscape of late 19th and early 20th-century theater.
Symons explores the nuances of actors and the craft of acting, dissecting elements of performance with keen observation. His writing provides historical context for understanding the evolution of stagecraft. Whether you are interested in the history of theater or the underpinnings of performance itself, Symons' work provides a valuable lens through which to view the performing arts. This meticulously prepared print edition allows readers to rediscover Symons' enduring reflections on theater and its related arts.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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"Plays, Acting, and Music: A Book of Theory" by Arthur Symons delves into the heart of performance and dramatic arts. This collection of essays offers insightful drama criticism alongside considerations of acting theory and music theory, providing a comprehensive look at the landscape of late 19th and early 20th-century theater.
Symons explores the nuances of actors and the craft of acting, dissecting elements of performance with keen observation. His writing provides historical context for understanding the evolution of stagecraft. Whether you are interested in the history of theater or the underpinnings of performance itself, Symons' work provides a valuable lens through which to view the performing arts. This meticulously prepared print edition allows readers to rediscover Symons' enduring reflections on theater and its related arts.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.