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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.
Issue 28 includes:
was translated into 15 languages; Asako Serizawa, who has received a Pushcart Prize and two O. Henry Prizes; Scottish fiction writer Kirsty Logan; and NEA Fellow Sarah Strickley.
by Guggenheim and NEA fellow Paisley Rekdal; novelist Sheena McAuliffe; and poets Rebecca Lehman and Celia Bland.
contributor Andrew Feld; author of four poetry collections Heather Christle and author of three collections Catherine Pierce; and numerous emerging poets, such as Dominica Phetteplace, Mejdulene B. Shomali, and Samuel Cheney.
Eli Eliahu, translated by Marcela Sulak; Younger French poet Muriel Pic, writing about the massive, ruined Nazi vacation structure Rugen, and translated by Samuel Martin; contemporary German poet Ute Von Funcke, translated by Stuart Friebert; and ancient Roman poet Martial in new, highly contemporary translations by Tyler Goldman.
The cover features work by New York-based artist Xaviera Simmons, whose work has been shown at the MoMA and MoMA PS1 (NYC); the Museum of Contemporary Art, Chicago; the Contemporary Arts Museum, Houston; the Walker Art Center (Minneapolis); the Perez Art Museum Miami, the Institute of Contemporary Art, Boston; and the Radcliffe Institute for Advanced Study at Harvard, among other venues.
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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.
Issue 28 includes:
was translated into 15 languages; Asako Serizawa, who has received a Pushcart Prize and two O. Henry Prizes; Scottish fiction writer Kirsty Logan; and NEA Fellow Sarah Strickley.
by Guggenheim and NEA fellow Paisley Rekdal; novelist Sheena McAuliffe; and poets Rebecca Lehman and Celia Bland.
contributor Andrew Feld; author of four poetry collections Heather Christle and author of three collections Catherine Pierce; and numerous emerging poets, such as Dominica Phetteplace, Mejdulene B. Shomali, and Samuel Cheney.
Eli Eliahu, translated by Marcela Sulak; Younger French poet Muriel Pic, writing about the massive, ruined Nazi vacation structure Rugen, and translated by Samuel Martin; contemporary German poet Ute Von Funcke, translated by Stuart Friebert; and ancient Roman poet Martial in new, highly contemporary translations by Tyler Goldman.
The cover features work by New York-based artist Xaviera Simmons, whose work has been shown at the MoMA and MoMA PS1 (NYC); the Museum of Contemporary Art, Chicago; the Contemporary Arts Museum, Houston; the Walker Art Center (Minneapolis); the Perez Art Museum Miami, the Institute of Contemporary Art, Boston; and the Radcliffe Institute for Advanced Study at Harvard, among other venues.