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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Cynie Cory's Redacted Sonnets overlay asemic collage by Jay Snodgrass. The layers of language and linguistic opportunity are rendered here, and re-rendered mute. Opportunities to speak and be heard, to be known and understood, to exist beneath the pulverizing pressure of eyes, the seismic weight of unspeakable trauma, have been drawn out, have been uttered and have, of their own will, decayed into fragments. These poems represent a linguistic upheaval and exist as artifacts, as evidence of past identities, evidence of the speaker's past, the author's, evidence of you, the witness. None of this is tenable, none of this makes sense. Which is, of course, the point.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Cynie Cory's Redacted Sonnets overlay asemic collage by Jay Snodgrass. The layers of language and linguistic opportunity are rendered here, and re-rendered mute. Opportunities to speak and be heard, to be known and understood, to exist beneath the pulverizing pressure of eyes, the seismic weight of unspeakable trauma, have been drawn out, have been uttered and have, of their own will, decayed into fragments. These poems represent a linguistic upheaval and exist as artifacts, as evidence of past identities, evidence of the speaker's past, the author's, evidence of you, the witness. None of this is tenable, none of this makes sense. Which is, of course, the point.