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This work looks at three borderlands literary responses: those of the Chicanos at the border between the southern United States and Mexico, the African Caribbean minority in Canada, and the Native North Americans. Carmen Caliz-Montoro shows how in these diverse yet similar cases mythology and symbolism get transformed and recreated to respond to the burdens of history to produce new works of art.
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This work looks at three borderlands literary responses: those of the Chicanos at the border between the southern United States and Mexico, the African Caribbean minority in Canada, and the Native North Americans. Carmen Caliz-Montoro shows how in these diverse yet similar cases mythology and symbolism get transformed and recreated to respond to the burdens of history to produce new works of art.