Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the adaptor's note: This play is full of transformations, and through the act of adaptation, it has undergone transformations of its own. I have sought to maintain the wonder of Gozzi's fantastical world, with its magical creatures and enchantments, without presenting a museum piece. This version of THE KING STAG relinquishes the traditional masks of the commedia dell'arte, but maintains its improvisation and highly physical performance style. Additionally, by bringing Gozzi's eighteenth-century tale into conversation with the present, I have made some significant changes?-?women, for example, have a much more active role than in the original.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
From the adaptor's note: This play is full of transformations, and through the act of adaptation, it has undergone transformations of its own. I have sought to maintain the wonder of Gozzi's fantastical world, with its magical creatures and enchantments, without presenting a museum piece. This version of THE KING STAG relinquishes the traditional masks of the commedia dell'arte, but maintains its improvisation and highly physical performance style. Additionally, by bringing Gozzi's eighteenth-century tale into conversation with the present, I have made some significant changes?-?women, for example, have a much more active role than in the original.