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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
IN A PIG’S VALISE is a musical comedy spoof of the hot-cool private-eye pulp fiction associated with Raymond Chandler and Dashiell Hammett. Except that it’s wilder, much wilder. VALISE, among other oddities, features a stubby villain named Shrimp Bucket, an ‘ethnic dancer’ heroine named Dolores Con Leche (or, as the gumshoe hero, James Taxi, calls her, Sadness With Milk) and, in a bit part homage to Hammett’s real-life lover, an undercover F B I agent named Lillian Hellman… Spiced with songs by August Darnell (Kid Creole) that bear such lines as ‘Kiss me deadly’ and ‘Never judge a thriller by its cover’ … [a] broad, winking satire of the language and plot conventions of the old books and movies. Richard Christiansen, The Chicago Tribune
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
IN A PIG’S VALISE is a musical comedy spoof of the hot-cool private-eye pulp fiction associated with Raymond Chandler and Dashiell Hammett. Except that it’s wilder, much wilder. VALISE, among other oddities, features a stubby villain named Shrimp Bucket, an ‘ethnic dancer’ heroine named Dolores Con Leche (or, as the gumshoe hero, James Taxi, calls her, Sadness With Milk) and, in a bit part homage to Hammett’s real-life lover, an undercover F B I agent named Lillian Hellman… Spiced with songs by August Darnell (Kid Creole) that bear such lines as ‘Kiss me deadly’ and ‘Never judge a thriller by its cover’ … [a] broad, winking satire of the language and plot conventions of the old books and movies. Richard Christiansen, The Chicago Tribune