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Long accused of antipathy to the graphic arts, the medieval Cistercians are now recognized as having possessed a very clear aesthetic theory and to have expressed it with great practical integrity. Studies on detailed subjects in this series reflect the growing scholarly appreciation of the aesthetic sensibility and technological capability of the white monks.
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Long accused of antipathy to the graphic arts, the medieval Cistercians are now recognized as having possessed a very clear aesthetic theory and to have expressed it with great practical integrity. Studies on detailed subjects in this series reflect the growing scholarly appreciation of the aesthetic sensibility and technological capability of the white monks.