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The second of these annual volumes contains five wide-ranging pieces. In the medieval field, Neil Wright examines Geoffrey of Monmouth’s use of Gildas; Beate Schmolke-Hasselmann contributes an important illustrated essay on the Round Table; and Fanny Bogdanow looks at Chretien de Troyes’ use of troubadour ideals. Mary Wildman contributes to a bibliography of 20th-century creative literature on Arthur. Finally, Toshiyuki Takamiya and Andrew Armour present atranslation of Soseki’s Arthurian story ‘Kairo-ko: A Dirge’, the only known Arthurian novel in Japanese, dealing with the eternal triangle of Lancelot, Guinevere and Elaine. The updating section includes and account of another MSof the ‘Vera Historia de Morte Arthuri’.
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The second of these annual volumes contains five wide-ranging pieces. In the medieval field, Neil Wright examines Geoffrey of Monmouth’s use of Gildas; Beate Schmolke-Hasselmann contributes an important illustrated essay on the Round Table; and Fanny Bogdanow looks at Chretien de Troyes’ use of troubadour ideals. Mary Wildman contributes to a bibliography of 20th-century creative literature on Arthur. Finally, Toshiyuki Takamiya and Andrew Armour present atranslation of Soseki’s Arthurian story ‘Kairo-ko: A Dirge’, the only known Arthurian novel in Japanese, dealing with the eternal triangle of Lancelot, Guinevere and Elaine. The updating section includes and account of another MSof the ‘Vera Historia de Morte Arthuri’.