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Erika Fatland [is] shaping up to be one of the Nordics’ most exciting new travel writers National Geographic
**SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020**
A hauntingly lyrical meditation to the contingencies of history Wall Street Journal
[An] impressive mix of history, reportage and travel memoir Washington Post
The Border is a book about Russia and Russian history without its author ever entering Russia itself; a book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their cultures, their people, their landscapes.
Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-fiction.
Translated from the Norwegian by Kari Dickson
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Erika Fatland [is] shaping up to be one of the Nordics’ most exciting new travel writers National Geographic
**SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020**
A hauntingly lyrical meditation to the contingencies of history Wall Street Journal
[An] impressive mix of history, reportage and travel memoir Washington Post
The Border is a book about Russia and Russian history without its author ever entering Russia itself; a book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their cultures, their people, their landscapes.
Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-fiction.
Translated from the Norwegian by Kari Dickson