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Bl hdorn (European studies and modern languages, U. of Bath) has stumbled upon a large gap between the ubiquity of German contemporary popular song lyrics and the disregard of the genre by German literary studies. She sets out to bridge it, expecting severe criticism not only from her academic colleagues, but also from popular music researchers who
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Bl hdorn (European studies and modern languages, U. of Bath) has stumbled upon a large gap between the ubiquity of German contemporary popular song lyrics and the disregard of the genre by German literary studies. She sets out to bridge it, expecting severe criticism not only from her academic colleagues, but also from popular music researchers who