Imaging Japanese America: The Visual Construction of Citizenship, Nation, and the Body

As we have been reminded by the renewed acceptance of racial profiling, and the detention and deportation of hundreds of immigrants of Arab and Muslim descent on unknown charges following September 11, in times of national crisis Americans take refuge in the visual construction of citizenship in order to imagine themselves as part of a larger, cohesive national American community. Beginning with another moment of national historical trauma - December 7, 1941 and the subsequent internment of 120,000 Japanese Americans - Imaging Japanese America unearths seldom seen photographs of Japanese Americans by the likes of Dorothea Lange, Ansel Adams, and Toyo Mitatake. In turn, Elena Tajima Creef examines the perspective from inside, as visualized by Mine Okubo’s Maus-like dramatic cartoon and by films made by Asian Americans about the internment experience. She then traces the ways in which contemporary representations of Japanese Americans in popular culture are inflected by the politics of historical memory from World War II. Creef closes with a look at the representation of the multiracial Japanese American body at the turn of the millennium.