Silent Films in St. Augustine, Thomas Graham (9780813054537) — Readings Books

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Silent Films in St. Augustine
Hardback

Silent Films in St. Augustine

$79.99
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

Before Hollywood, when America’s rising motion picture industry was based on the East Coast, early film stars like Rudolph Valentino, Thomas Meighan, Ethel Barrymore, and Oliver Hardy made movies in St. Augustine, Florida. Silent Films in St. Augustine tells stories of the leading film producers and actors who escaped New York winters - and kept the studio doors open - in St. Augustine’s sunshine and warm weather.

Scenes for more than 120 films were made in St. Augustine from 1906 to 1926 by film companies including Thanhouser, Lubin, Eclair, Pathe, Edison, Vitagraph, and Paramount. The first feature-length Frankenstein movie, Life Without Soul, was partly shot in St. Augustine. Theda Bara became a vamp sensation for her role in A Fool There Was. Sidney Drew acted in the genderbending A Florida Enchantment. Noted directors Edwin S. Porter, Maurice Tourneur, and George Fitzmaurice also set up shop in the beach town.

Filmmakers used St. Augustine’s striking architecture to create backdrops for movies set in exotic foreign locales. The famous Castillo de San Marcos, the stone houses on the narrow streets, and Henry Flagler’s Spanish Renaissance palace hotels were reimagined as Spain, Italy, France, Egypt, Arabia, South Africa, Brazil, and Hawaii. Residents of St. Augustine loved seeing film teams in action on their streets and would gather around the camera to watch the actors and marvel at the outlandish costumes. Cast as extras in larger productions, locals packed theater houses to catch a glimpse of themselves and their neighbors on the screen.

Describing the lavish sets, theatrical action, and New York movie personalities that filled St. Augustine, Thomas Graham evokes an intensely creative time and place in the history of American moviemaking.

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Format
Hardback
Publisher
University Press of Florida
Country
United States
Date
5 September 2017
Pages
192
ISBN
9780813054537

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

Before Hollywood, when America’s rising motion picture industry was based on the East Coast, early film stars like Rudolph Valentino, Thomas Meighan, Ethel Barrymore, and Oliver Hardy made movies in St. Augustine, Florida. Silent Films in St. Augustine tells stories of the leading film producers and actors who escaped New York winters - and kept the studio doors open - in St. Augustine’s sunshine and warm weather.

Scenes for more than 120 films were made in St. Augustine from 1906 to 1926 by film companies including Thanhouser, Lubin, Eclair, Pathe, Edison, Vitagraph, and Paramount. The first feature-length Frankenstein movie, Life Without Soul, was partly shot in St. Augustine. Theda Bara became a vamp sensation for her role in A Fool There Was. Sidney Drew acted in the genderbending A Florida Enchantment. Noted directors Edwin S. Porter, Maurice Tourneur, and George Fitzmaurice also set up shop in the beach town.

Filmmakers used St. Augustine’s striking architecture to create backdrops for movies set in exotic foreign locales. The famous Castillo de San Marcos, the stone houses on the narrow streets, and Henry Flagler’s Spanish Renaissance palace hotels were reimagined as Spain, Italy, France, Egypt, Arabia, South Africa, Brazil, and Hawaii. Residents of St. Augustine loved seeing film teams in action on their streets and would gather around the camera to watch the actors and marvel at the outlandish costumes. Cast as extras in larger productions, locals packed theater houses to catch a glimpse of themselves and their neighbors on the screen.

Describing the lavish sets, theatrical action, and New York movie personalities that filled St. Augustine, Thomas Graham evokes an intensely creative time and place in the history of American moviemaking.

Read More
Format
Hardback
Publisher
University Press of Florida
Country
United States
Date
5 September 2017
Pages
192
ISBN
9780813054537