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Gorfkle challenges the assumption that the comic is inferior to the tragic as a vehicle for expressing serious thought and the belief that the comic has only a secondary function in Cervantes’s Don Quixote. She systematically surveys the comic mechanisms of the novel from the perspectives of the contemporary literary theories of Bakhtin, Girard, and Derrida.
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Gorfkle challenges the assumption that the comic is inferior to the tragic as a vehicle for expressing serious thought and the belief that the comic has only a secondary function in Cervantes’s Don Quixote. She systematically surveys the comic mechanisms of the novel from the perspectives of the contemporary literary theories of Bakhtin, Girard, and Derrida.