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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Bobby C. Rogers’s second collection, Social History, listens hard to the voices of American characters and celebrates the gestures of ordinary life. The long lines of his narrative poems trace the undulations of southern speech, and his careful eye for detail reflects the influence of generations of storytellers, from authors like Robert Penn Warren and Eudora Welty to Rogers’s own distant family members, living in
decrepit houses where the floors sagged and the front rooms reeked/of snuff, bitter as the smell off a pile of clods beside an open grave, the scent of time that hadn’t succeeded in passing.
In his beguiling evocations of the past, Rogers looks back with affection to the rhythms and rituals of growing up in small-town Tennessee. While his poems speak of a living connection to community and to the earth, they also acknowledge the growing need to question what we have been taught and to break free and make our own way in this world. Graceful and plainspoken, the poems of Social History bear witness to ways of living that, though past, are never truly lost.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Bobby C. Rogers’s second collection, Social History, listens hard to the voices of American characters and celebrates the gestures of ordinary life. The long lines of his narrative poems trace the undulations of southern speech, and his careful eye for detail reflects the influence of generations of storytellers, from authors like Robert Penn Warren and Eudora Welty to Rogers’s own distant family members, living in
decrepit houses where the floors sagged and the front rooms reeked/of snuff, bitter as the smell off a pile of clods beside an open grave, the scent of time that hadn’t succeeded in passing.
In his beguiling evocations of the past, Rogers looks back with affection to the rhythms and rituals of growing up in small-town Tennessee. While his poems speak of a living connection to community and to the earth, they also acknowledge the growing need to question what we have been taught and to break free and make our own way in this world. Graceful and plainspoken, the poems of Social History bear witness to ways of living that, though past, are never truly lost.