Selected Stories from the Southern Review

Selected Stories from the Southern Review
Format
Paperback
Publisher
Louisiana State University Press
Country
United States
Published
1 March 1988
Pages
277
ISBN
9780807114902

Selected Stories from the Southern Review

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In the twenty years of its existence, the second series of the Southern Review continued the editorial orientation of the first series by presenting a range of regional and cosmopolitan works of fiction. This anthology is a collection of twenty-five short stories from the nearly three hundred published in the journal between 1965 and 1985. The editors have sought to illustrate the diversity of subject matter and the tremendous range of tone, voice, and technique that have characterized short fiction in the Southern Review.

Although many of the contributors to Selected Stories from the
Southern Review
are southern, the collection also includes national and international, new and established writers. The focus of the anthology is on literary merit rather than regional considerations.
Abroad
by Nadine Gordimer, which depicts the experiences of a white South African visiting his son in Zimbabwe, is in the collection, along with John William Corrington’s
Pleadings,
the powerful account of an incident in the life of a south Louisiana attorney. Mary Lavin’s
The Face of Hate
addresses life amidst the conflict in Northern Ireland, and Elizabeth Spencer’s
The Cousins
explores the entanglements and coming of age of five young adults on a European vacation. Joyce Carol Oates’s
Detente
interweaves the personal and political aspects of a Soviet-American literary conference, and Robb Forman Dew follows the adventures of two naive Natchez girls in New Orleans in
Two Girls Wearing Perfume in the Summer.

From Louis D. Rubin’s tentative young newspaperman in
The St. Anthony Chorale
to William Mills’s sure-footed X-ray technician in
Sweet Tickfaw Run Softly, Till I End My Song,
from Rita Dove’s compelling
Secondhand Man
to John E. Wildeman’s Satirical
Surfiction , these are characters and stories from the new series of the Southern Review which offer resounding proof that the brilliant publishing tradition originating with Cleanth Brooks and Robert Penn Warren has been preserved by a magazine that still maintains its national literary reputation.

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