If the Coen brothers ever ventured beyond the United States for their films, they would find ample material in this novel.
–The New York Times Book Review
Occasionally a book comes along so fresh, strange, and original that it seems peerless, utterly unprecedented. This is one of those books.
-Kirkus Reviews (starred review)
**Winner of the 2021 Wingate Literary Prize** **Finalist for the 2021 National Jewish Book Awards, Book Club Award **
An irresistible, picaresque tale of two Jewish sisters in late-nineteenth-century Russia, The Slaughterman’s Daughter is filled with boundless imagination and a vibrant style (David Grossman).
With her reputation as a vilde chaya (wild animal), Fanny Keismann isn’t like the other women in her shtetl in the Pale of Settlement-certainly not her obedient and anxiety-ridden sister, Mende, whose philosopher of a husband, Zvi-Meir, has run off to Minsk, abandoning her and their two children.
As a young girl, Fanny felt an inexorable pull toward her father’s profession of ritual slaughterer and, under his reluctant guidance, became a master with a knife. And though she long ago gave up that unsuitable profession-she’s now the wife of a cheesemaker and a mother of five-Fanny still keeps the knife tied to her right leg. Which might come in handy when, heedless of the dangers facing a Jewish woman traveling alone in czarist Russia, she sets off to track down Zvi-Meir and bring him home, with the help of the mute and mysterious ferryman Zizek Breshov, an ex-soldier with his own sensational past.
Yaniv Iczkovits spins a family drama into a far-reaching comedy of errors that will pit the czar’s army against the Russian secret police and threaten the very foundations of the Russian Empire. The Slaughterman’s Daughter is a rollicking and unforgettable work of fiction.
