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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
As the British watched their empire crumble, many British films depicted the danger and allure of American culture, reflecting a common belief that the United States-the newly dominant world power-could be reckless and irreverent. As social mobility became more common in British life, Americans on screen were portrayed as crude, outspoken and ambitious. Yet the same films that portrayed the U.S. as an agent of chaos also suggested Britons might do well to embrace American-style energy and egalitarianism.
Movies like Love Actually, The Quatermass Xperiment, 28 Weeks Later, Local Hero and Alfred Hitchcock’s The Secret Agent have delved into the storied
special relationship
between the U.S. and U.K. These films and many more are examined this first book-length study of British movies about America, revealing much about British attitudes regarding power, gender, class, sexuality and emotion.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
As the British watched their empire crumble, many British films depicted the danger and allure of American culture, reflecting a common belief that the United States-the newly dominant world power-could be reckless and irreverent. As social mobility became more common in British life, Americans on screen were portrayed as crude, outspoken and ambitious. Yet the same films that portrayed the U.S. as an agent of chaos also suggested Britons might do well to embrace American-style energy and egalitarianism.
Movies like Love Actually, The Quatermass Xperiment, 28 Weeks Later, Local Hero and Alfred Hitchcock’s The Secret Agent have delved into the storied
special relationship
between the U.S. and U.K. These films and many more are examined this first book-length study of British movies about America, revealing much about British attitudes regarding power, gender, class, sexuality and emotion.