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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the first English language study of Jules Dassin (1911-2008), who began as a contract director at MGM in 1941 and earned his reputation with the films noirs Brute Force (1947), The Naked City (1948), Thieves’ Highway (1949), and Night and the City (1950). Exiled to Europe after being unofficially blacklisted by the House Un-American Activities Committee, Dassin re-surfaced to direct such popular hits as Rififi (1955), Never on Sunday (1960; he married Melina Mercouri), and Topkapi (1964). After a brief biographical chapter that also covers Dassin’s work for the theatre, each of the director’s 25 films is given its own chapter analysis, with cast and crew credits, synopsis, release information and reviews.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the first English language study of Jules Dassin (1911-2008), who began as a contract director at MGM in 1941 and earned his reputation with the films noirs Brute Force (1947), The Naked City (1948), Thieves’ Highway (1949), and Night and the City (1950). Exiled to Europe after being unofficially blacklisted by the House Un-American Activities Committee, Dassin re-surfaced to direct such popular hits as Rififi (1955), Never on Sunday (1960; he married Melina Mercouri), and Topkapi (1964). After a brief biographical chapter that also covers Dassin’s work for the theatre, each of the director’s 25 films is given its own chapter analysis, with cast and crew credits, synopsis, release information and reviews.