Hitchcock’s Objects as Subjects: The Significance of Things on Screen

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

Focusing on onscreen objects in Alfred Hitchcock’s films, this study examines the staircases, eyeglasses, lamps, doors, candles, cigarettes, buildings, monuments, statues and dozens of other props the director treated as subjective protagonists, with roles practically equal to the actors’. Hitchock’s imperative was to charge the screen with emotion. Subject matter and acting were, for him, subordinate to
all of the technical aspects that made the audience scream.
Examining each of the director’s 52 films, this book provides a comprehensive exploration of Hitchcock’s treatment of objects as subjects.