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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
As
Dracula
(1931) and
Frankenstein
(1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood’s horror movies. The issue most often used to limit the showing of horror films was their
unsuitability
to children. With that in mind, the BBFC developed specific film codes - the
A
(for adults) and the
H
(for horrific), both of which restricted viewing to those 16 or older - and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood’s golden age of horror.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
As
Dracula
(1931) and
Frankenstein
(1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood’s horror movies. The issue most often used to limit the showing of horror films was their
unsuitability
to children. With that in mind, the BBFC developed specific film codes - the
A
(for adults) and the
H
(for horrific), both of which restricted viewing to those 16 or older - and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood’s golden age of horror.