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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word
Tap
was first used in publicity to describe this new American style of dance, this text separately addresses the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments,
Daddy
Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German, Shaker). Also included are accounts of the people present at tap’s inception and how various styles of dance were mixed to create a new art form.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word
Tap
was first used in publicity to describe this new American style of dance, this text separately addresses the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments,
Daddy
Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German, Shaker). Also included are accounts of the people present at tap’s inception and how various styles of dance were mixed to create a new art form.