Franklin’s ambition in the book is welcome. The scope and historical sweep of analysis, and the attempt to develop arguments at some length, is a productive contrast to the myopic focus of too many analyses. By situating his analysis of the contemporary city in an extensive historical lineage, Franklin is able to draw attention to shifting fashions in urban policy and social theory, and to draw out the consequences of blind spots amidst the often overweening ambition of ‘heroic’ city planning…the narrative it offers will be…valuable as an introduction to students . ( Theory, Culture & Society ). Read the full review here: Cities are more important as cultural entities than their mere function as dormitories and industrial sites. Yet, the understanding of what makes a city ‘alive’ and appealing in cultural terms is still hotly contested - why are some cities so much more interesting, popular and successful than others? In this engaging discussion of ‘city life’ Adrian Franklin takes the reader on a tour of contemporary western cities exploring their historical development and arguing that it is the transformative, ritual and performative qualities of successful cities that makes a difference. Here is a new urban culture characterized by ecological frames of reference; tracking the making of contemporary city life from traditional times, through early modern, machinic and modernised stages of development. Adopting dynamic narrative structures and stories to develop its critical position, this book creates a vibrant synthesis of city life from its key components: leisure and tourism; recreation and play; arts and culture; nature and environment; and, architecture and public space. Emphasising the importance of experience, the book represents the fluid complexity of the city as a living space, an environment and a posthumanist space of transformation. It will be of interest to all those engaging with the difficulties of urban life in sociology, human geography, tourism and cultural studies departments.