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This work looks at explanations of the black arts as they existed during early medieval centuries in Western Europe. It objectively examines the historical development of magic and witchcraft and emphasises the reality of these black arts. Stressing the historiographical significance of the modern literature of the occult, this book provides a solid display of the leading role of rationalism in modern literature. The author employs studies in anthropology and examinations of writings of medieval encyclopaedists, codes of pagan law, and the Church Fathers from the fourth to the eight centuries. By remaining objective and employing such historiographical and theological details to his work, Duke creates a valuable study which supports refutations of rationalist historians who see middle-age witchcraft as a delusion. His book should appeal to students and scholars of medieval history, as well as anyone interested in the black arts.
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This work looks at explanations of the black arts as they existed during early medieval centuries in Western Europe. It objectively examines the historical development of magic and witchcraft and emphasises the reality of these black arts. Stressing the historiographical significance of the modern literature of the occult, this book provides a solid display of the leading role of rationalism in modern literature. The author employs studies in anthropology and examinations of writings of medieval encyclopaedists, codes of pagan law, and the Church Fathers from the fourth to the eight centuries. By remaining objective and employing such historiographical and theological details to his work, Duke creates a valuable study which supports refutations of rationalist historians who see middle-age witchcraft as a delusion. His book should appeal to students and scholars of medieval history, as well as anyone interested in the black arts.