Seeing is Believing: How Hollywood Taught Us to Stop Worrying and Love
Peter Biskind
Seeing is Believing: How Hollywood Taught Us to Stop Worrying and Love
Peter Biskind
A look at the Hollywood movies of the 1950s and the thousand subtle ways they reflect the political tensions of the decade. It covers films like Giant , Rebel Without A Cause and Invasion of the Body Snatchers to show how politically innocent movies in fact do bear an ideological burden. As we see organization men and rugged individualists, housewives and career women, cops and doctors, teen angels and teenage werewolves fight it out across the screen, from suburbia to the farthest reaches of the cosmos, we understand that we have been watching one long dispute about how to be a man, a woman, and an American.
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