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Beyond Representation poses the question as to whether over the last thirty years there have been signs of A'progress’ or ‘progressiveness’ in the representation of A'marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period.
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Beyond Representation poses the question as to whether over the last thirty years there have been signs of A'progress’ or ‘progressiveness’ in the representation of A'marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period.