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This book traces the sources and development of Ruskin’s aesthetic and critical theories. In his attempt to skirt the danger of excessive emotion and association in art, Ruskin’s struggle with the sublime but not the picturesque, is, along with the pathetic fallacy, examined. These concepts, too, are considered in light of Ruskin’s continuing relig
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This book traces the sources and development of Ruskin’s aesthetic and critical theories. In his attempt to skirt the danger of excessive emotion and association in art, Ruskin’s struggle with the sublime but not the picturesque, is, along with the pathetic fallacy, examined. These concepts, too, are considered in light of Ruskin’s continuing relig