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The first thing I recognize as the beginning of a poem, writes Richard Pevear, is a distinct rhythm, not only of stress but of movement. Once I hear it, I can find words for it. But the essential thing, finally, is simultaneity–the completion of a shape, a thought, an emotion, a figure, all at the same time. The Trojan War, the figures of Greek
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The first thing I recognize as the beginning of a poem, writes Richard Pevear, is a distinct rhythm, not only of stress but of movement. Once I hear it, I can find words for it. But the essential thing, finally, is simultaneity–the completion of a shape, a thought, an emotion, a figure, all at the same time. The Trojan War, the figures of Greek