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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Bryan's debut full-length poetry collection highlights his strengths, which lie unassuming in the copse of loss and unmistakable insight. "Wedding Toast" is a perfect example of this, with its concise cadence and lilt mimicking the rhythm of the heartbroken. Then, there are events cleverly woven within that hint at simpler times, allowing one to breathe and recapture the hope the proverbial bluebird offers. Before long, Bryan's poignant malaise surrenders to the soft curls of grief escaping the page. There are even moments that seem to be nothing more than that:
a moment. After all, isn't that what enticing writing is, a moment captured? It is everything, "And nothing. That's it." No bird may live in Bryan's title, but the allusion is alive and beating in his writing.
Grace Black, founding editor of Ink In Thirds
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Bryan's debut full-length poetry collection highlights his strengths, which lie unassuming in the copse of loss and unmistakable insight. "Wedding Toast" is a perfect example of this, with its concise cadence and lilt mimicking the rhythm of the heartbroken. Then, there are events cleverly woven within that hint at simpler times, allowing one to breathe and recapture the hope the proverbial bluebird offers. Before long, Bryan's poignant malaise surrenders to the soft curls of grief escaping the page. There are even moments that seem to be nothing more than that:
a moment. After all, isn't that what enticing writing is, a moment captured? It is everything, "And nothing. That's it." No bird may live in Bryan's title, but the allusion is alive and beating in his writing.
Grace Black, founding editor of Ink In Thirds