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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
STAGING THE WORLD - Theatre in the Space Age, (Adventures in Site Specific Performance) is a collection of essays and papers about plays produced in real places. These site specific productions were inspired by political street theatre, independent filmmaking and a desire to take theatre away from dedicated theatre buildings and out into the world where they lived, worked and played. The events took place on trams and boats, in pubs and cinemas, parks and gardens, tents and houses. They also took Shakespeare’s idea of all the world being a stage quite literally, and were part of a revolution in theatre practice that occurred in Melbourne throughout the 1980s and well into the 1990s.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
STAGING THE WORLD - Theatre in the Space Age, (Adventures in Site Specific Performance) is a collection of essays and papers about plays produced in real places. These site specific productions were inspired by political street theatre, independent filmmaking and a desire to take theatre away from dedicated theatre buildings and out into the world where they lived, worked and played. The events took place on trams and boats, in pubs and cinemas, parks and gardens, tents and houses. They also took Shakespeare’s idea of all the world being a stage quite literally, and were part of a revolution in theatre practice that occurred in Melbourne throughout the 1980s and well into the 1990s.