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This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.
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This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.