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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The twenty-eight poems by Friedrich Hoelderlin presented here were most probably written during the last eleven years of his life from 1832 to 1843, after his bout of "madness". They present the following characteristics: their prosody is in iambic pentameters or hexameters, with feminine rhymes, their subject matter is impersonal contemplation. The importance in these poems of rhythm, and of sound more generally, brings to mind Hoelderlin's words, as reported by Bettina Von Arnim: "The laws of the mind are rhythmical. (...) As long as the poet is still looking for the metrical accent and is not carried forward by the rhythm, his poetry is without truth (...) what is poetry is the fact that the mind can only express itself in rhythms, that its language is rhythm". The goal of the translator has been to make this music "heard" as much as possible.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The twenty-eight poems by Friedrich Hoelderlin presented here were most probably written during the last eleven years of his life from 1832 to 1843, after his bout of "madness". They present the following characteristics: their prosody is in iambic pentameters or hexameters, with feminine rhymes, their subject matter is impersonal contemplation. The importance in these poems of rhythm, and of sound more generally, brings to mind Hoelderlin's words, as reported by Bettina Von Arnim: "The laws of the mind are rhythmical. (...) As long as the poet is still looking for the metrical accent and is not carried forward by the rhythm, his poetry is without truth (...) what is poetry is the fact that the mind can only express itself in rhythms, that its language is rhythm". The goal of the translator has been to make this music "heard" as much as possible.