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‘I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific’ Sarah Waters
‘If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man’ Nick Hornby
Patrick Hamilton’s novels were the inspiration for Matthew Bourne’s new dance theatre production, The Midnight Bell.
West Kensington - grey area of rot, and caretaking, and cat-slinking basements. West Kensington - drab asylum for the driven and cast-off genteel!‘ Patrick Hamilton was acutely conscious that his third novel (first published in 1928) was longer and 'much grimmer’ than his previous and well-received productions. Twopence Coloured is the story of nineteen-year-old Jackie Mortimer, who leaves Hove in search of a life on the London stage, only to become entangled in ‘provincial theatre’ and complex affairs of the heart with two brothers, Richard and Charles Gissing. The novel, unavailable for many years, is a gimlet-eyed portrait of the theatrical vocation, and fully exhibits Hamilton’s celebrated gift for conjuring London - the ‘vast, thronged, unknown, hooting, electric-lit, dark-rumbling metropolis.
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‘I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific’ Sarah Waters
‘If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man’ Nick Hornby
Patrick Hamilton’s novels were the inspiration for Matthew Bourne’s new dance theatre production, The Midnight Bell.
West Kensington - grey area of rot, and caretaking, and cat-slinking basements. West Kensington - drab asylum for the driven and cast-off genteel!‘ Patrick Hamilton was acutely conscious that his third novel (first published in 1928) was longer and 'much grimmer’ than his previous and well-received productions. Twopence Coloured is the story of nineteen-year-old Jackie Mortimer, who leaves Hove in search of a life on the London stage, only to become entangled in ‘provincial theatre’ and complex affairs of the heart with two brothers, Richard and Charles Gissing. The novel, unavailable for many years, is a gimlet-eyed portrait of the theatrical vocation, and fully exhibits Hamilton’s celebrated gift for conjuring London - the ‘vast, thronged, unknown, hooting, electric-lit, dark-rumbling metropolis.