This book offers a comprehensive guide to the black experience both on film and behind the camera. More thean 6,000 entries documenting global film activity from 1919 to 1990 offer historical perspective on the black image in film, bibliographical material on filmmakers and individual artists, and exciting information on newly emerging talent throughout the world. Drawing on a wide variety of resource materials, the study furnishes extensive coverage of developments in filmmaking in Sub-Saharan Africa, Latin America, Europe, and the Caribbean, followed by a thorough examination of the African-American film experience. Two appendixes provide supplementary data on reference works, and name and addresses of notable film resource centres.