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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Siberia has no history of independent political existence, no claim to a separate ethnic identity and no clear borders. Yet it could be said that the elusive country behind the Urals is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia’s alter ego, as the heavenly or infernal antithesis to the perceived complexity of shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty, the House of the Dead and the realm of utter freedom, a frozen wasteland and a colourful frontier, a dumping ground for Russia’s rejects and the last refuge of its lost innocence. This book examines the origin, nature and implications of various images from historical, geographical, anthropological and linguistic perspectives.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Siberia has no history of independent political existence, no claim to a separate ethnic identity and no clear borders. Yet it could be said that the elusive country behind the Urals is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia’s alter ego, as the heavenly or infernal antithesis to the perceived complexity of shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty, the House of the Dead and the realm of utter freedom, a frozen wasteland and a colourful frontier, a dumping ground for Russia’s rejects and the last refuge of its lost innocence. This book examines the origin, nature and implications of various images from historical, geographical, anthropological and linguistic perspectives.