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In 1914, an unknown French filmmaker arrived in New York; within four years, that man, Maurice Tourneur (1876-1961), would become one of America's most acclaimed directors. In this masterful biography, Christine Leteux shows how intimately connected Tourneur's life was to major events of the twentieth century as well as to the profound transformations in movie making. He quickly managed the transition to sound, and his last major work was created for Continental Films, the German-owned firm that controlled the French film industry during the Nazi Occupation. His son, Jacques, followed in his footsteps, also becoming an acclaimed director.
Drawing heavily on previously unpublished archival documents, Leteux reinvigorates film history and demonstrates that we know far less about this era of filmmaking than we often assume. She reveals not only how Tourneur jumped from France to the United States and back again but also how he shifted from one company to another, moving quickly up the ladder to bigger productions and ever larger studios. Tourneur's drive, insight, technical proficiency, skill with actors, ability to create new forms of storytelling, and fame on both sides of the Atlantic make it all the more surprising that he is not better known today-an oversight that has now been corrected thanks to Leteux's impressively detailed research and nuanced storytelling.
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In 1914, an unknown French filmmaker arrived in New York; within four years, that man, Maurice Tourneur (1876-1961), would become one of America's most acclaimed directors. In this masterful biography, Christine Leteux shows how intimately connected Tourneur's life was to major events of the twentieth century as well as to the profound transformations in movie making. He quickly managed the transition to sound, and his last major work was created for Continental Films, the German-owned firm that controlled the French film industry during the Nazi Occupation. His son, Jacques, followed in his footsteps, also becoming an acclaimed director.
Drawing heavily on previously unpublished archival documents, Leteux reinvigorates film history and demonstrates that we know far less about this era of filmmaking than we often assume. She reveals not only how Tourneur jumped from France to the United States and back again but also how he shifted from one company to another, moving quickly up the ladder to bigger productions and ever larger studios. Tourneur's drive, insight, technical proficiency, skill with actors, ability to create new forms of storytelling, and fame on both sides of the Atlantic make it all the more surprising that he is not better known today-an oversight that has now been corrected thanks to Leteux's impressively detailed research and nuanced storytelling.