Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Creating Culture, Performing Community explores the ways in which the people of Santo Santiago de Angahuan, a P'urhepecha community in the state of Michoacan, Mexico, create and curate their cultural practices and how, by doing so, they perform what it means to be an active member of the P'urhepecha community. Through a deep ethnographic account of ritual practices, author Mintzi Auanda Martinez-Rivera focuses on the tembuchakua, or wedding rituals, analyzing their creation, performance, and transformation within the P'urhepecha community. By proposing alternative approaches to understanding indigeneity, Martinez-Rivera showcases how people carefully transform their cultural practices and rearticulate and perform their identities. Thus Creating Culture, Performing Community has three main aims: to analyze how people create their own culture; to showcase how cultural practices are performed to reflect particular ideas of what it means to be a member of a community; and to move beyond limited understandings of indigenous identity and cultural practices.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Creating Culture, Performing Community explores the ways in which the people of Santo Santiago de Angahuan, a P'urhepecha community in the state of Michoacan, Mexico, create and curate their cultural practices and how, by doing so, they perform what it means to be an active member of the P'urhepecha community. Through a deep ethnographic account of ritual practices, author Mintzi Auanda Martinez-Rivera focuses on the tembuchakua, or wedding rituals, analyzing their creation, performance, and transformation within the P'urhepecha community. By proposing alternative approaches to understanding indigeneity, Martinez-Rivera showcases how people carefully transform their cultural practices and rearticulate and perform their identities. Thus Creating Culture, Performing Community has three main aims: to analyze how people create their own culture; to showcase how cultural practices are performed to reflect particular ideas of what it means to be a member of a community; and to move beyond limited understandings of indigenous identity and cultural practices.