Alan H. Goldman presents an original and lucid account of the relationship between philosophy and the novel. In the first part, on philosophy of novels, he defends theories of literary value and interpretation. Literary value, the value of literary works as such, is a species of aesthetic value. Goldman argues that works have aesthetic value when they simultaneously engage all our mental capacities: perceptual, cognitive, imaginative, and emotional. He suggests that cognitive engagement with novels includes appreciation of their broad themes and the theses these imply, often moral and hence philosophical theses, which are therefore part of the novels’ literary value. Goldman goes on to explore rival interpretations of Ernest Hemingway’s The Sun Also Rises, and tests the theory of value by explaining the immense appeal of good mystery novels in its terms. The second part of the book, on philosophy in novels, explores themes relating to moral agency–moral development, motivation, and disintegration–in Jane Austen’s Pride and Prejudice, Mark Twain’s Huckleberry Finn, John Irving’s The Cider House Rules, and Joseph Conrad’s Nostromo. By narrating the course of characters’ lives, including their inner lives, these novels allow us to vicariously experience the characters’ moral progressions, positive and negative, to learn in a more focused way moral truths, as we do from real life experiences.