John Barry was perhaps the greatest of modern film composers, and we introduce to you the first stirrings of his remarkable talents that would be used in the James Bond films and countless other box office smashes. Many of the elements that made his subsequent music so memorable are already in place in these early recordings - the heavy brass, the prominent electric piano, and the twangy guitar. DISC ONE: Hit And Miss / Beat For Beatniks / Never Let Go / Blueberry Hill / Zip Zip / Three Little Fishes / You've Gotta Way / Big Guitar / Rodeo / Hideaway / Bee's Knees / Long John / Snap 'N' Whistle / Little John / Christella / Rockin' Already / Big Fella / I'm Movin' On / Beat Girl (Main Title) / Lindon Home Rock. DISC TWO: Walk Don't Run / Black Stockings / The Magnificent Seven / Cutty Sark / The Stripper / Blues For Beatniks / Skid Row / The Menace / Starfire / A Matter Of Who / Watch Your Step / Twist It / It Doesn't Matter Anymore / Moody River / There's Life In The Old Boy Yet / Zapata / Spanish Harlem / The Man From Madrid / The Blacksmith Blues / The James Bond Theme (Theme from' Dr. No').