“To the unpretentious music of the German composer Max Richter, they form the essence of a disaster film format that tries between "Independence Day" and "Stranger Things" to give each film character an idiosyncratic attitude and thus depth.” – Daily Mirror "A big part of any film music project is finding the musical language that feels like it's drawn from the world of the show, like it only belongs to that world and feels inevitably connected to it. In the case of Invasion, with its multiple interlocking storylines and wide emotional range, I had to invent multiple musical worlds, and that meant multiple tools. I've used the orchestra in its traditional line-up but also infused it electronically, I have a variety of different vintage synthesizers and processing tools plus solo piano and cello as mine.”