The Opportune Moment, 1855: A Novel

Patrik Ourednik, Alex Zucker

The Opportune Moment, 1855: A Novel
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The Opportune Moment, 1855: A Novel

Patrik Ourednik, Alex Zucker

The nineteenth-century founding of free settlements in the Americas serves as a starting point for the new novel by popular Czech author Patrik Ouredn k. Simultaneously satiric and philosophical, The Opportune Moment, 1855, opens with an Italian anarchist’s missive to his noble former mistress, an impassioned rejection of all of Europe’s latest and greatest advancements, from the Enlightenment to social reform to communist revolution. We then leap back in time half a century to the alternately somber and hilarious shipboard diary of a common Italian everyman sailing to Brazil with a motley, multinational band of idealists, to build a new society. A pitiless portrait of the often unbridgeable gap between theory and practice, The Opportune Moment, 1855 is another uproarious and unsettling attack on convention by one of literature’s great provocateurs.

Review

Czech author Patrick Ourednik’s newly translated novella, The Opportune Moment, 1855, tells the story of a group of expatriate Europeans attempting to start an anarchist commune, called the Fraternitas Free Settlement, in Brazil. But from the very outset, the reader knows that the settlement is doomed; the novel opens with a letter, dated March 1902, written by the leader of this anarchist collective – a man affectionately referred to by his followers as ‘Older Brother’. While the letter is meant to serve as a sort of apologia pro sua vita, Older Brother’s self-important and grandiloquent expression of his lofty ideals spills over into comic pastiche, and his laments about the failure of the commune emphasise his own unwillingness to take any responsibility for its collapse. While he bemoans various problems with his plan’s execution – particularly his poor choice of volunteers for the first wave of settlers – he refuses to admit any error and stands by his principles.

But while Ourednik’s opening makes it clear that the colony has failed, the actual events leading up to its failure remain mysterious. Indeed, after the end of this brief letter, the narrative jumps back in time to 1855 in the form of a ship’s diary kept by one of the future settlers currently voyaging to Brazil. The narrator’s naïve hopes for his future life in the commune – a life in which there will be free love, voluntary work, no hierarchical structures and communal sharing of wealth – are already undermined by the quarrelling occurring onboard the ship. The passengers have already factionalised, and are separated by their nationalities (French, Italian, German) and their political beliefs (the anarchists, the communists, and the independents). While Ourednik successfully both conveys this disjuncture and exploits its comedic potential, at this point in the novel, it appears that the book is a clever, if unoriginal, elaboration of a familiar story: an impassioned but naïve group of political radicals attempts to change the world, but falls miserably short with tragic results.

But the novel’s final act underwrites the seemingly simple narrative that the first two sections develop. Taking place in the new settlement itself, the narrative formally mimics the unfolding anarchy of the colony; while it becomes clear that the settlement is increasingly moving down a dangerous and possibly even violent path, separating out events becomes more and more difficult, and both narrative and historical hierarchies begin to deteriorate – with an ending that throws everything that came before into serious doubt. The result is a brilliant meditation on the link between political agency and the way that history is recorded and written down.

Ourednik (who has lived in France for almost three decades) is regarded as one of the most important living Czech authors. Although he’s best known in the English-speaking world for his novel Europeana: A Brief History of the Twentieth Century, which, as the title suggests, compresses 100 years of European history into 120 absurd and funny pages, The Opportune Moment, 1855 is another brilliant effort from this essential European satirist.

Emmett Stinson is the author of Known Unknowns.

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