Imagine winning one of the world’s biggest literary awards with your debut. In 2020, Scottish author Douglas Stuart became one of just six authors to win the Booker Prize for a first novel. Shuggie Bain was one of those miracles of publishing: a book that lived up to the effusive word-of-mouth, beloved by critics and readers alike. Naturally the anticipation for his second novel, Young Mungo, is sky-high.

To some readers Young Mungo might feel like its predecessor. Once again Stuart has chosen to roam the housing schemes of working-class Glasgow; our guide this time, the sweet, guileless 15-year-old Mungo. His alcoholic mother comes and goes, full of resentment over having children so early in life. Middle sister Jodie is left to look after the family, while the eldest, 18-year-old Hamish, leads the local Protestant gang and is violently insistent on initiating Mungo into his bloody territorial wars against the Catholic boys. Mungo himself is only starting to feel out his own definitions: he loves his mother, and forgives her too much; he is repulsed by the explosive violence of Hamish and the other men around him, but sees no alternative ways of being a man. When we meet him at the start of the novel, Mungo is being sent away on a trip with two men from his mother’s AA group. The reason for this temporary exile is gradually revealed to us.

With tenderness and honesty, Young Mungo explores the reality of coming of age as a young gay man against the backdrop of a violently sectarian Glasgow in the 1990s. It’s also a necessary reminder of the all-too-recent prejudice and open violence LGBTIQA+ people endured. Stuart is gifted in his ability to capture both visceral dread and the sweet ‘guid-and-true’ glimmers of first love. Some particularly harrowing moments, which surpass Shuggie in their devastation, may have readers needing to put down the book, but just when you think the darkness is too much, Stuart switches to a golden moment of succour.

With its wonderful Glaswegian colloquialisms, lively characters and compelling, addictive pacing, Young Mungo is classic storytelling at its best. Read it if you love fiction that’s unafraid of big feelings, but prepare to have your heart broken too.

Jackie Tang is the editor of Readings Monthly.