Killing: Misadventures In Violence

Jeff Sparrow

Killing: Misadventures In Violence
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Killing: Misadventures In Violence

Jeff Sparrow

How hard is it to kill, as a hunter on a Kangaroo cull, as a worker in an abattoir, as an executioner in a prison, as a soldier at war? Ninety years after World War I, police in a Victorian country town uncover the mummified head of a Turkish soldier, a bullet-ridden souvenir brought home from Gallipoli by a returning ANZAC. The macabre discovery sets Jeff Sparrow on a quest to understand the nature of deadly violence. How do ordinary people-whether in today’s wars or in 1915-learn to take a human life? How do they live with the aftermath? These questions lead Sparrow through history and across Australia and the USA, talking to veterans and slaughtermen, executioners and writers about one of the last remaining taboos. Compassionate, engaged and political, Killing takes us up close to the ways society kills today, meditating on what violence means, not just for perpetrators, but for all of us.

Review

It’s a confronting title – and a confronting book, too. But Jeff Sparrow’s literal and metaphorical journey into the dark heart of this subject is also completely and utterly fascinating.

Sparrow is mildly intrigued, then distractedly obsessed, with the grisly discovery of a severed, boxed head of a Turkish soldier, kept as a trophy by a Gallipoli veteran and handed in to Echuca police. What makes a person salvage and treasure something like that? What does that say about their attitude to killing? And how does the experience of killing transform someone? Sparrow’s inquiry into the origins of the head soon becomes something else entirely, as he hangs out with a Queensland roo shooter; tours a Melbourne abattoir; interviews a prison warden and an executioner; talks to America’s leading expert on methods of execution; and meets with various Iraq veterans.

This is a fantastic work of reportage, both accessible and deeply, intelligently thoughtful. Like Jon Ronson in the more playful Men Who Stare at Goats, or Maria Tumarkin in Traumascapes and Courage, Jeff Sparrow makes the reader a front-seat passenger on the ride, inviting us to follow his logical trail of breadcrumbs and make our own conclusions alongside him.

‘If you didn’t want to look, didn’t that suggest that there was a reason to open your eyes?’ Jeff wonders at the beginning of his journey. Indeed.

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