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The Mushroom Tapes brings together three renowned writers of true crime: Helen Garner, Chloe Hooper and Sarah Krasnostein.
For this extraordinary book, the lone wolves became a team. Garner, Hooper and Krasnostein tracked Erin Patterson’s preliminary hearings and trial, joined the media scrum at the Latrobe Valley Law Courts, slept over in Morwell and spent countless hours in fervent discussion of the case and the themes it raises: love, hate, jealousy, revenge, marriage, money, mycology and murder.
The Mushroom Tapes is a true crime book like no other, an unputdownable record of the writers’ private conversations about their impressions from inside the courtroom. They explore the gap between the certainties of the law and the messiness of reality, their own ambivalence about the true crime genre, and all that remains unknowable about Erin Patterson.
If you read one book about how Erin Patterson was convicted of triple murder make it The Mushroom Tapes.
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The Mushroom Tapes brings together three renowned writers of true crime: Helen Garner, Chloe Hooper and Sarah Krasnostein.
For this extraordinary book, the lone wolves became a team. Garner, Hooper and Krasnostein tracked Erin Patterson’s preliminary hearings and trial, joined the media scrum at the Latrobe Valley Law Courts, slept over in Morwell and spent countless hours in fervent discussion of the case and the themes it raises: love, hate, jealousy, revenge, marriage, money, mycology and murder.
The Mushroom Tapes is a true crime book like no other, an unputdownable record of the writers’ private conversations about their impressions from inside the courtroom. They explore the gap between the certainties of the law and the messiness of reality, their own ambivalence about the true crime genre, and all that remains unknowable about Erin Patterson.
If you read one book about how Erin Patterson was convicted of triple murder make it The Mushroom Tapes.
Clear your diaries, because The Mushroom Tapes is categorically a must-read, diary-clearing kind of book: the hotly anticipated literary engagement with the infamous and internationally compelling Erin Patterson triple murder trial that we’ve all been waiting for, and undoubtedly the nonfiction book of the season. Written by three of the best writers in the business – Helen Garner, Chloe Hooper, Sarah Krasnostein – who joined forces and interests to follow the trial together, and create something they could not have done alone, this book is, as we who know these writers’ works individually have hoped, greater than the sum of its parts, their collaboration supercharging their insights, concerns, expertise.
But enough of the hype, and first, a confession: I’m not a true crime kind of gal. I have listened to no podcasts (of any kind), and was only moderately interested in the ‘mushroom trial’ (as it has come to be known), as part of the background news feed that is part of one’s daily life: I was not trawling the internet for clues of my own, hypothesising, or otherwise obsessed with this case, as interesting and unusual as it is. If you are one of these types, you’ll know much of the factual material that the book conveys, but, like the authors, you might not have been quite sure what to do with all the pieces of this very public puzzle, and were looking for a way through the evidence that builds up and leads, inevitably, to Patterson’s guilty verdict, seeking the answer to the pressing question, ‘why?’. Here, Team Mushroom shows you a way. But for those of us without this depth of detail, there is enough here to get us up to speed (and to leave us suitably aghast), and learn about the distinct personalities both inside and outside the courtroom and the terrain of its Gippsland location, but then the focus becomes the words of our guides, each unique, honest, and unmistakable in their personalities. They cover all the questions of ethics and purpose we might all wish were answered about this crime and all true crime writing. There is nothing gawkish or gratuitous about this book (or, as Garner fears at one point, they’re not ‘perving’). Its register is inquisitive, reflexive, curious, cautious, a cultural inquisition with psychological heft, always mindful of the lives affected and lost following the terrible event of that infamous beef wellington lunch, and interrogative of the collective interest in the gloom.
I couldn’t stop reading this book, told as it is in a series of transcripts of two- and three-way conversations, sometimes in the car or over the phone or over lunch during breaks in the court proceedings, which had been destined for a podcast of its own that didn’t eventuate, but instead we – lucky readers, all – can gulp down, right to its final beautiful paragraph, after which I audibly sighed, ‘wow’.
See what the Readings’ team have to say on the blog, discover related events and podcast episodes.
Sarah Krasnostein is a multi-award winning writer and critic. She is the best-selling author of The Trauma Cleaner, The Believer, the Quarterly Essay, Not Waving, Drowning, and On Peter Carey. She holds a doctorate in criminal law and is admitted to legal practice in New York and Victoria.
Chloe Hooper's The Tall Man (2008) won the Victorian, New South Wales, West Australian and Queensland Premier's Literary Awards, as well as the John Button Prize for Political Writing, and a Ned Kelly Award for crime writing. She is also the author of two novels, A Child's Book of True Crime and The Engagement.
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