Foretokens

A landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism - and forming a portrait of a mother in search of her past and herself.

Unearthed in a clear-out, a picture calendar she's kept - hoarding, I've learnt, is a mark of the emigrant - across continents and time.

So begins Sarah Howe's extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother's clouded past- abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives. Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?

What unfolds is a personal Babel of voices and identities, and an examination of the contradictory legacies of colonialism, where poems - past and present - act as 'foretokens', omens of what lies ahead. A central spine of poems takes the molecular structure of DNA as its template- a 'ladder of atoms beginning to twist', down which the poet steps into the darkness of time. Objects of witness resurface to tell their own stories- fragile porcelains of past centuries transiting across continents; a picture calendar of old postcards from another world.

'From the other side of ruin / we found safe passage', Howe writes in these spectacular poems of emotional heft and quickening wit, their voice salvaged from the fragments of a former self. Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.