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In Imagination in Place, we travel to the local cultures of several writers important to Berry’s life and work, from Wallace Stegner’s great West and Ernest Gaines’s Louisiana plantation life to Donald Hall’s New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. The collection also includes portraits of a few of America’s most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.
Berry laments today’s dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.
For Berry, what is local, fully imagined, becomes universal, and these essays serve as a reminder that a place indelibly marks its literature just as it determines its watershed community of plants and animals.
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In Imagination in Place, we travel to the local cultures of several writers important to Berry’s life and work, from Wallace Stegner’s great West and Ernest Gaines’s Louisiana plantation life to Donald Hall’s New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. The collection also includes portraits of a few of America’s most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.
Berry laments today’s dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.
For Berry, what is local, fully imagined, becomes universal, and these essays serve as a reminder that a place indelibly marks its literature just as it determines its watershed community of plants and animals.