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How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.
TELEGRAPH BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014
‘This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.’
Nairn’s London is an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius. %%%TELEGRAPH BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014
‘This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.’
Nairn’s London is an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius.
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How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.
TELEGRAPH BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014
‘This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.’
Nairn’s London is an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius. %%%TELEGRAPH BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014
‘This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.’
Nairn’s London is an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius.