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A new volume of the greatest tragedies of the seventeenth-century stage
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford’s masterpiece ‘Tis Pity She’s a Whore explores the taboo themes of incest and forbidden love in a daring reworking of Romeo and Juliet.
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A new volume of the greatest tragedies of the seventeenth-century stage
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford’s masterpiece ‘Tis Pity She’s a Whore explores the taboo themes of incest and forbidden love in a daring reworking of Romeo and Juliet.