Bri Lee’s foray into fiction should not come as a surprise to anyone who has been following this smart and perceptive writer. Reflected in her nonfiction work are the issues of privilege, consent, relationships, and identity, and clearly, here, she is determined to continue talking about the impact of changing politics and power. The result is a sexy, complex and astonishing novel set across continents, art scenes and bedrooms.

Using the contemporary art scene in New York as a backdrop, Lee explores themes of narcissism (social media features) and ambition. Lally runs an avant-garde gallery in Manhattan and is desperately trying to ensure her practice is self-sustaining, successful, and honourable. She meets Pat at an art show and their long-distance relationship begins. Pat is trying to establish his career in the Sydney antiquities scene by forging relationships with established ‘old money’ identities. For both young people, naivety comes at a cost. Their tenacity is constantly exhausted. Their relationship must endure the perils of distance and self-fulfilling prophecies. Not everything is as beautiful and simple as an oil painting.

The Work is as impressive as the title suggests. Lee throws everything at this novel and the result is a front row view into the mechanisms and dynamics of the art world and the influence of money. It is a unique novel set to remind you that complications occur despite good intentions, that trust is subjective, and that love may win if honesty prevails. This is not a domestic type of story, but rather one that spans global interests. If you enjoy truth-seeking novels like those written by Donna Tartt, but would also enjoy a comforting Australian accent, settle in. This is the perfect book for the next book club conversation. There are layers upon layers to unravel. As well as excellent sex scenes!