Exploring Emily Young's carved works from the 1980s to the present, Jon Wood's thoughtful survey places her sculpture within its resonant contexts, both art historical and more broadly cultural. In…

Neil Gall: The Studio are a distinct body of collages made from the covers of The Studio, the influential art magazine published in London from 1893 until 1964.

During much of the twentieth century, film was often assumed to be a ‘flat’ pictorial art, more often compared with painting and graphic media than with sculpture. In the last…

Recent multimedia projects by Simon Starling on hidden histories and unlikely connections

Published for British artist Simon Starling’s (born 1967) exhibition at the Rennie Collection in Vancouver, this volume presents…

A ghost from the past.

A parents’ worst nightmare.

And a race against time through the heart of the wilderness.

Eight years after the events of Man In The Water…

This book presents the shared sculptures and drawings of Bill Woodrow and Richard Deacon. It showcases the work they have made together over the last thirty years, exhibition by exhibition.

This collection ranges widely to analyse how forests figure in contemporary culture, as well as the wider contexts in which such representations are inserted.

Of especially naughty children it is sometimes said, They must have been raised by wolves. The Incorrigible Children actually were. But the city presents challenges, too, in the form of…