Part I: Allegorical Dream-Visions and Debate Poems Friars in Love: Manuscript Illumination as Literary Commentary in Three Fourteenth-Century Manuscripts of the Roman de la rose (Paris, BnF, MS fr. 25526; Baltimore, Walters, MS W. 143; London, BL, MS Royal 19 B XIII), Jonathan Morton, ‘Entre deux sommes’: Imagining Desire in the Songe de la Pucelle, Emma Cayley, Limits of Representation in Late Fifteenth-Century Burgundy: What the Eye Doesn’t Hear and the Ear Doesn’t See, Helen J. SwiftPart II: Burgundian Prose Narratives: Staging Transgression Through Text and Image: Violence and Nudity in the Cent Nouvelles Nouvelles (Glasgow, University Library, MS Hunter 252, and Verard 1486 and 1498), Dominique Lagorgette, The Roman de Buscalus; or, the Art of Not Being French, Rebecca Dixon, Personal Drama or Chivalric Spectacle? The Reception of the Roman d'Olivier de Castille in the Illuminations of the Wavrin Master and Loyset Liedet, Rosalind Brown-GrantPart III Reworkings of Classical and Medieval Auctores The Hybrid Art of the Compiler: Text/Image Relations in the Ovide moralise of Colard Mansion, J. Chimene Bateman, Proliferating Narratives: Texts, Images, and (Mostly Female) Dedicatees in a Few Heroides Productions, Kathleen Wilson-Chevalier, Re-Presenting Emilia in the Context of the Querelle des femmes: Text and Image in Anne de Graville’s Beau Roman, Elizabeth L'EstrangeList of Manuscripts and Early Printed Editions, Bibliography, Index